Search for: My Bestselling Book But the vulgarians also did more than their share of damage, and they’re gone forever anyway. She was one of the most influential American film critics of her era. PoliPundit, March 2012: "Obama’s biggest asset – and that of ultra-liberal politicians in general When I see those ads with the quote 'You'll have to see this picture twice,' I know it's the kind of … Pauline Kael was one famous film critic whose reputation certainly made before I was even a serious movie watcher. I only know one person who voted for Nixon. I used to think it was bad for my skin. There’s a famous quote attributed to Pauline Kael, the movie critic, which is usually paraphrased as “How did Nixon win? We are looking at the dead, and they move and grin and wave at us; it's an almost unbearable experience. The rest is advertising. They were part of a different America. Kael did NOT say that she couldn't understand why Nixon was elected. Irresponsibility is part of the pleasure of all art; it is the part the schools cannot recognize. Moviemaking is so male-dominated now that they think they’re being pro-feminine when they have women punching each other out. But the name was infamous, whether it was her famous quote about Nixon in 1972, or her seemingly blistering criticism of movies I regarded as entertaining, or actors I regarded as being wonderful were her subject of deflation, she was engaged as a public intellectual. But sometimes when I’m in a theater I can feel them.”. She wrote film reviews of essay length for The New Yorker between 1968-1991 after which she retired. And that goes for Rottweilers, too. The action genre has always had a fascist potential, and it surfaces in this movie. She was one of the most influential American film critics of her era. Use of this site constitutes acceptance of our User Agreement (updated as of 1/1/21) and Privacy Policy and Cookie Statement (updated as of 1/1/21) and Your California Privacy Rights. In movies, the balance between art and business has always been precarious, with business outweighing art, but the business was, at least, in the hands of businessmen who loved movies. When you clean them up, when you make movies respectable, you kill them. The big change in the country is reflected in the fact that people in the movie business no longer feel it necessary to talk about principles at all. The recurrence of certain themes in movies suggests that each generation wants romance restated in slightly new terms, and of course it’s one of the pleasures of movies as a popular art that they can answer this need. Kael was known for her "witty, biting, highly opinionated and sharply focused" reviews, her opinions often contrary to those of her contemporaries. Unlike storybook heroes and heroines but like many actual heroes and heroines. I am mystified. They're outside my ken. Nobody I know voted for him”. Object to the Hollywood film and you’re an intellectual snob, object to the avant-garde films and you’re a Philistine. I only know one person who voted for Nixon. TIL Pauline Kael never said, "How could Nixon have won? Who is to tell them no? Now, I understand that a big part of the Republican political arsenal is to depict liberals and Democrats as elitist and out of touch, and one of the most efficient ways of doing so is by bashing Hollywood. I know only one person who voted for Nixon. Often quoted as "How could Nixon have won? It’s always nice, now and then, to remind people in the press and in academia of Pauline Kael’s famous (or infamous) quote referring to George McGovern’s loss to Richard Nixon in the 1972 presidential election. The critical task is necessarily comparative, and younger people do not truly know what is new. I only know one person who voted for Nixon. I wouldn’t want them to see movies like. People expect a movie to be heavy and turgid, like ". There’s a famous quote attributed to Pauline Kael, the movie critic, which is usually paraphrased as “How did Nixon win? I would. I came out of the theater, tears streaming, and overheard the petulant voice of a college girl complaining to her boyfriend, "Well I don't see what was so special about that movie." Nobody I know voted for him". Use features like bookmarks, note taking and highlighting while reading The Age of Movies: Selected Writings of Pauline Kael: A Library of America Special Publication. "The Perils of Being Pauline," interview with Francis Davis, For some strange reason we don't go to charming, light movies anymore. Whatever the original intention of the writers and. My dear anonymous letter writers, if you think it is so easy to be a critic, so difficult to be a poet or a painter or film experimenter, may I suggest you try both? This appeal is what attracts us, and ultimately what makes us despair when we begin to understand how seldom movies are more than this. As it is, people sit and watch movies that audiences walked out on thirty years ago. Where they are I don’t know. The cool managerial sharks don’t have that; neither do the academics. Then, briefly at McCall’s (where, braver even than Ms. Crist, she panned The Sound of Music ) and, beginning in 1968, at The New Yorker , Ms. Kael acquired a staff critic’s job and a strong institutional base. The. Pauline Kael famously said after Richard Nixon won a 49-state victory, I only know one person who voted for Nixon. I only know one person who voted for Nixon. As New Yorker film critic What she actually said was: Attributed to Kael after the 1972 American Presidential election, which Nixon won easily. The words "Kiss Kiss Bang Bang," which I saw on an Italian movie poster, are perhaps the briefest statement imaginable of the basic appeal of movies. 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